Indonesia: Arts & Culture
Over the years, the Center has worked to develop or help fund Southeast Asian-style performance productions and related educational outreach materials (particularly in the case of Wayang Listrik). This page includes overviews and supplemental materials for past and ongoing projects.
Genre: Wayang Listrik
Wayang Listrik is a modern Balinese theatre genre based on traditional shadow puppetry (wayang kulit) with accompanying dance and music, all transferred to a large 30 x 15 foot screen.
Under the direction of Dr. Kirstin Pauka, Department of Theatre & Dance, there have been two Wayang Listrik productions at the University of Hawaiʻi at Mānoa: The (Balinese) Tempest (2008), and Subali-Sugriwa: Battle of the Monkey Kings (2016). Additionally, a large component of the Wayang Listrik project has been educational outreach to local K-12 students, including the creation of a teacher’s resource guide and visits to neighbor island schools.
The Center thanks the sponsors and community support that allowed the production and educational outreach to happen.
Watch this space for the soon-to-be-released documentary film on the Wayang Listrik performance of Subali-Sugriwa: Battle of the Monkey Kings along with other gamelan/dance performance projects.
- [November 2018] CSEAS welcomes Gamelan Semara Pegulingan Taksu Gitaning Shanti
The Last King of Bali (2020)
One night during a traditional Hindu ceremony in a community on Nusa Penida (a small neighbor island to Bali) the supernaturally power demon, Dalem Bungkut, causes chaos, disrupting the ceremony and causing sickness and misery among the people. The village leader must travel to Bali to request the assistance of King Dalem Dimade in driving out the demon. Watch the full show on our Vimeo channel. See our Wayang Listrik page for more information!
Ramayana: The Abduction of Sita (2018)
This rendition of the Ramayana story ‘The Abduction of Sita‘, in Sendratari (Balinese dance-drama) style, tells the story of the kidnapping and subsequent rescue of Princess Sita, and featured classical dance and instrumental music from Bali. The production was a collaboration between the University of Hawaiʻi Balinese Gamelan Ensemble Gamelan Segara Madu, and the Tokyo-based Otomori Gamelan Studio with more than 30 performers from Bali, Japan, and Hawaiʻi taking part in the show.
The production was the headline show for the 2018 Asia-Pacific Dance Festival (APDF).
- Think Tech Hawaii interview with directors I Made Moja, I Putu Gede Setiawan, and Annie Reynolds
- Ka Leo O Hawaiʻi review
- About the story & Sendratari via Asia-Pacific Dance Festival
Subali-Sugriwa: Battle of the Monkey Kings (2016)
A powerful demon wants a beautiful goddess for his wife. Legendary monkey brothers Subali and Sugriwa are enlisted to help the gods repel the rejected suitor’s armies.
During the lead up to the production of Subali-Sugriwa, the Center with its partners in the UHM Asian Theatre Program developed educational outreach materials about Wayang Listrik as a genre, held workshops at local K-12 schools to engage the youth in this dramatic style, and performed a special show geared toward local K-12 students.
- Overview (includes additional production photos)
- Teacher’s Resource Guide (PDF)
- Press release (PDF) via Kennedy Theatre
- Wayang Listrik Blog
- “Plugged in Shadows” (Hawaii Public Radio article & audio piece)
- Related Talks
- Why a Monkey? Meaning and Monkey Business (January 31, 2016)
- Designing the Stage: Balinese Wayang Listrik (January 23, 2016)
- Innovations in Balinese Wayang Listrik (January 20, 2016)
The (Balinese) Tempest (2008)
The (Balinese) Tempest was the first Wayang Listrik production at the University of Hawaiʻi at Mānoa. The production was directed by Dr. Kirstin Pauka with guidance from Larry Reed, an acclaimed theatre artist who in the 1990s combined traditional Balinese shadow theatre with Western-style lighting, film, and dance.
- Playbill via ScholarSpace
- News coverage
- “Balinese puppetry meets Bard in ‘Tempest’ production” (Review)
- “Balinese puppetry meets Shakespeare’s ‘Tempest'” (Interview with Larry Reed)
Genre: Randai
“Randai is a folk theater tradition of the Minangkabau ethnic group which incorporates music, singing, dance, drama and the martial art of silat” (source). From 2000-2012, Kennedy Theatre, under the direction of Dr. Kirstin Pauka, performed three productions in this style: Umbuik Mudo and the Magic Flute (2000), Luck and Loss: Manandin’s Gamble (2005), and The Genteel Sabai (2012).
The Genteel Sabai (2012)
“The story centers around a young girl (Sabai) who the King has fallen for after having been rejected by her mother years ago. The King will stop at nothing to make the young Sabai his own and sends a matchmaker to offer gifts to her parents. His offer rejected, the King confronts Sabai’s father and a fight ensues. Later, the King approaches Sabai, who can no longer remain genteel and defends herself.” (source)
- Playbill via ScholarSpace
Luck and Loss: Manandin’s Gamble (2005)
Manandin’s Gamble is a traditional coming-of-age story about love, gambling, and adventure. Master artists from West Sumatra, Mohamad Halim (internationally renowned master of traditional Minangkabau music) and Saparman Bin Jamaludin (master-teacher of Randai dance, acting, and silat (martial arts)) provided specialized training under the direction of Dr. Kirstin Pauka.
- Playbill via ScholarSpace
Umbuik Mudo and the Magic Flute (2000)
Rarely performed outside of Indonesia, Umbuik Mudo is a tragic love story that unfolds amidst the wild jungles of Sumatra complete with magic flutes, robbers and dangerous quests. UHM students trained under guest artists in preparation for this production directed by Dr. Kirstin Pauka.
- Playbill via ScholarSpace